The Chinese pop song " Lo-Ch’a Mirage" from Dao Lang's new album has quickly occupied major online platforms as soon as it was released. The continuous reprints and reviews by social media made the song became the focus of cultural phenomena. Public discussion of the song "Lo-Ch’a Mirage" relies on the "new voices of change" of ancient texts written by Songling Pu and the production, dissemination and interpretation of pop music symbols. It is the result of people releasing their pressure through online carnivals and transferring the interaction between human and social relations to the symbolic field. The success of Dao Lang's song "Lo-Ch’a Mirage" also stems from his grasping the gap space of symbols and its sharp insight into the market and audiences. This article attempts to reveal the operating mechanism of modern pop music by analyzing those changes, derivation, and transformation between the text symbols of ancient "Lo-Ch’a Mirage" and the music symbols of modern "Lo-Ch’a Mirage", gathered the collective will behind the symbol, in which contain the public's era of de-standardization, de-eliteization and carnival when facing pop music, the result of people venting pressure in online carnivals and transferring the interaction between human and social relations to the symbolic field, as the perspective of semiotics.